Titlebook: Screening Ulster; Cinema and the Union Richard Gallagher Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

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書目名稱Screening Ulster影響因子(影響力)




書目名稱Screening Ulster影響因子(影響力)學(xué)科排名




書目名稱Screening Ulster網(wǎng)絡(luò)公開度




書目名稱Screening Ulster網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Screening Ulster被引頻次




書目名稱Screening Ulster被引頻次學(xué)科排名




書目名稱Screening Ulster年度引用




書目名稱Screening Ulster年度引用學(xué)科排名




書目名稱Screening Ulster讀者反饋




書目名稱Screening Ulster讀者反饋學(xué)科排名

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https://doi.org/10.1007/978-3-031-23436-1Northern Ireland; Unionism; Loyalism; Protestantism; The Troubles; Irish Cinema; British Cinema; Orange Ord

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Richard GallagherTraces the history of Northern Irish unionist representation in cinema..First book-length study of the representation of Northern Irish unionists on film..Extensively researched.

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Conclusion, fiction films over the last 40?years. It will also explain why a cinematic deficit exists. In the process, some pre-existing understandings will be challenged. The chapter will also seek to explain what a process of amelioration might look like and examine the ethics of such a process.

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HAUNT

Introduction,es. It is argued that the complicated nature of these unionist identities and their contradictions has largely been ignored in narrative feature films. This introductory chapter also comments on the methodology used for the research and explores many of the explanations that exist for the cinematic

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photophobia

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Paramilitaries Begin to Dominate Representations of Unionists, Specific attention will be paid to two of the most discussed films in regard to unionist representation in cinema and which received significant criticism upon their release for their abject portrayal of the unionist community, . (O’Sullivan, 1995) and . (Evans, 1998). In addition, the chapter will