Titlebook: Risk, Participation, and Performance Practice; Critical Vulnerabili Alice O‘Grady Book 2017 The Editor(s) (if applicable) and The Author(s)

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At the Risk of Being Sincere: Participation and Delegation in South African Contemporary Live Art vision of the “Rainbow Nation” which marked the early years of its new democracy. Cultural production has become increasingly influenced by economic forces, in particular from European/Western markets. This, accompanied by an internal desire to find a coherent cultural voice, has led to an increase

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: Addiction, Performance, and Aesthetics of Authenticityall “risky aesthetics” in participatory theatre practices by way of an exploration of particular aspects of the philosophy of Deleuze and Guattari—namely, notions of “becoming” and practices of “experimentation” as set out in . (1987). This chapter argues that there is a strong affiliation between r

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Risk in Theatrical Performances in the City: Creating Impact and Identitiesectives in Brazil over the last twenty years. My investigations have always been related to the creation of performances that appropriate (occupied) urban spaces, particularly places where there is substantial movement of people. The overall objective of these experiments in setting scenes in public

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Book 2017ical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research