Titlebook: Risk, Participation, and Performance Practice; Critical Vulnerabili Alice O‘Grady Book 2017 The Editor(s) (if applicable) and The Author(s)

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多節(jié)

ther performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before..978-3-319-87506-4978-3-319-63242-1

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nd the filling of the voids left by time- from then . til about being open, factual, and advisory about moving for- now. Techniques may change, but understanding, direction, ward, in new ways, but maintaining a

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has been conducted since the mid-1970s. This delay in our focus on depression in young people may be in part a function of the long-term psychodynamic perspectives of depression as nonexistent in children or normative in adolescents. In particular, the notion or myth of adolescent turmoil overshado

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Zoe Zontoue subject such as the collection, representation, management, and methods of extracting grammatical information from discourse and conversational data as well as the relationship between questionnaire-based elicitation, text-based elicitation, and philology, and the need for combinations of these me

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Introduction: Risky Aesthetics, Critical Vulnerabilities, and Edgeplay: Tactical Performances of th work which has risk embedded in its aesthetic. It takes the theoretical concept of edgework and reframes it in relation to participatory practice where playing on the edge is carried out as a tactic. It examines risk taking as a form of openness and as a means of creating spaces of potentiality. Dr