Titlebook: Revolutionary Romanticism and Cinema; Country, Land, Peopl Paul Dave Book 2020 The Editor(s) (if applicable) and The Author(s), under exclu

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書目名稱Revolutionary Romanticism and Cinema影響因子(影響力)




書目名稱Revolutionary Romanticism and Cinema影響因子(影響力)學(xué)科排名




書目名稱Revolutionary Romanticism and Cinema網(wǎng)絡(luò)公開度




書目名稱Revolutionary Romanticism and Cinema網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Revolutionary Romanticism and Cinema被引頻次學(xué)科排名




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書目名稱Revolutionary Romanticism and Cinema年度引用學(xué)科排名




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書目名稱Revolutionary Romanticism and Cinema讀者反饋學(xué)科排名

MANIA

Paul DaveProvides a new approach to romanticism and cinema which has not previously been studied from a historical materialist perspective in this way.Combines aesthetics and politics in the face of a field wh

宮殿般

戰(zhàn)勝

https://doi.org/10.1007/978-3-030-59646-0Capitalism; Historical Materialism; Romanticism; Blockbusters; British Cinema

江湖騙子

y.Combines aesthetics and politics in the face of a field wh.This book stages an encounter between romanticism in post-war and contemporary cinema and trends in historical materialism associated with revolutionary romantic historiography. Focused primarily on British cinema and examples of Hollywood

傷心

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Restitutionist Romanticism: Searching for Lost Lands, of romanticism which seeks to restore a pre-capitalist past (Lowy and Sayre .). It looks at the literary work of J. R. R. Tolkien, specifically . (1954–1955) and . (1937) along with the film adaptations of these works by Peter Jackson (2001–2014). In Tolkien’s novels I seek to demonstrate the diffi

脆弱吧

Romantic Revolutionary Historiography: The People and the Commons,). In particular it seeks to demonstrate the way Linebaugh develops the concept of the ‘commons’ as a means to construct his revolutionary histories from below. In order to illustrate the?characteristic?Atlantic history opened up by Linebaugh’s perspective of the commons I consider the political aes