Titlebook: Revolutionary Romanticism and Cinema; Country, Land, Peopl Paul Dave Book 2020 The Editor(s) (if applicable) and The Author(s), under exclu

Malnutrition

書目名稱Revolutionary Romanticism and Cinema影響因子(影響力)




書目名稱Revolutionary Romanticism and Cinema影響因子(影響力)學科排名




書目名稱Revolutionary Romanticism and Cinema網(wǎng)絡公開度




書目名稱Revolutionary Romanticism and Cinema網(wǎng)絡公開度學科排名




書目名稱Revolutionary Romanticism and Cinema被引頻次




書目名稱Revolutionary Romanticism and Cinema被引頻次學科排名




書目名稱Revolutionary Romanticism and Cinema年度引用




書目名稱Revolutionary Romanticism and Cinema年度引用學科排名




書目名稱Revolutionary Romanticism and Cinema讀者反饋




書目名稱Revolutionary Romanticism and Cinema讀者反饋學科排名

MANIA

Paul DaveProvides a new approach to romanticism and cinema which has not previously been studied from a historical materialist perspective in this way.Combines aesthetics and politics in the face of a field wh

宮殿般

戰(zhàn)勝

https://doi.org/10.1007/978-3-030-59646-0Capitalism; Historical Materialism; Romanticism; Blockbusters; British Cinema

江湖騙子

y.Combines aesthetics and politics in the face of a field wh.This book stages an encounter between romanticism in post-war and contemporary cinema and trends in historical materialism associated with revolutionary romantic historiography. Focused primarily on British cinema and examples of Hollywood

傷心

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Restitutionist Romanticism: Searching for Lost Lands, of romanticism which seeks to restore a pre-capitalist past (Lowy and Sayre .). It looks at the literary work of J. R. R. Tolkien, specifically . (1954–1955) and . (1937) along with the film adaptations of these works by Peter Jackson (2001–2014). In Tolkien’s novels I seek to demonstrate the diffi

脆弱吧

Romantic Revolutionary Historiography: The People and the Commons,). In particular it seeks to demonstrate the way Linebaugh develops the concept of the ‘commons’ as a means to construct his revolutionary histories from below. In order to illustrate the?characteristic?Atlantic history opened up by Linebaugh’s perspective of the commons I consider the political aes