Titlebook: Revisiting Shakespeare’s Lost Play; Cardenio/Double Fals Deborah C. Payne Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Ap

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The Jolt of Jacobean Tragicomedy: , on the Eighteenth-Century English Stage,s. Nowhere is this more apparent than in its treatment of rape. Like Jacobean and unlike Restoration and eighteenth-century tragicomedies, the play features a rape victim who survives and redeems the perpetrator through marriage. And while the epilogue cannot prove that the play was written by Shake

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,Ghostwriting: Lewis Theobald’s , as Adaptation, considers . within the context of the eighteenth-century dramatic repertoire, especially adaptations of Shakespeare and Theobald’s own output. The treatment of the female characters, Leonora and Violante, is compared to the representation of women in popular tragedies of the period. Henriquez’s rap

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Textual Skirmishes and Theatrical Frays: , versus the Scriblerians,obald perceived as the inherent anti-theatricalism of the Scriblerian burlesque. To plays such as . and—in a pre-emptive move—. Theobald countered with . an old-fashioned, affective tragicomedy that exemplified the qualities he valued in serious drama, specifically its ability to use classically cra

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