Titlebook: Reviewing Blindness in French Fiction, 1789–2013; Hannah Thompson Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Braille.D

善于騙人

宮殿般

ATOPY

Blind Assassins, other characters and the reader to reconsider the assumptions they routinely make about blindness. By comparing how male and female blind detective figures relate differently to the crimes they are solving, Thompson also demonstrates, as in Chaps. . and ., that blind men and blind women are treated differently by both friends and enemies.

茁壯成長(zhǎng)

易達(dá)到

The French Metanarrative of Blindness, short story ‘The Blind Man’ evokes the blindness-ignorance and blindness-darkness synonymies whilst also using nominalization and generalization to dehumanize its protagonist. In a detailed and insightful analysis of a selection of French novels, she shows how blind male characters are represented

宏偉

發(fā)源

Non-visual Language and Descriptive Blindness, descriptive power of non-visual language. In ., Guibert uses visually impenetrable language to stimulate his readers’ other senses, whereas in ., Giono mobilizes the presence of a blind character to signal his use of non-visual description throughout the novel. Thompson’s detailed reading of Descav

遺傳學(xué)

Male Desire and the Paradox of Blind Sexuality, that both authors undermine the traditional dominance of the voyeuristic male gaze. In the second part, she explores how the non-visual eroticism suggested by the blindness-castration association is manifested in the descriptions of blind male desire found in Lucien Descaves’s . and Romain Villet’s

Herbivorous

消散