Titlebook: Reggae and Hip Hop in Southern Italy; Politics, Languages, Susanna Scarparo,Mathias Sutherland Stevenson Book 2018 The Editor(s) (if applic

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The Roots and Routes of Reggae from Jamaica to Italy,e’s international commercialization and its subcultural associations in London were to be crucial to its eventual re-contextualization, glocalization, and transculturation in Italy from the early 1980s, this process was initially delayed due to the rigid ideology of Italy’s Marxist youth counter-cul

微不足道

,“Inna Different Stylee”: The Renaissance of Youth Culture and Politics in Bari, which found voice within the South’s first ., .. This process created urban narratives that sought to negotiate the alienating effects of heroin addiction, consumerism, social isolation, and political apathy through a renewal of the counter-hegemonic ideals, politics, and practices of the late 1970

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Factorable

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Mendicant

The Legacy of the Posses Beyond Genres and Across Generations: Randagiu Sardu, Mama Marjas, Claudiaem, and Sa Razza, on independent Sardinian artists Randagiu Sardu and Claudia Aru, as well as on the Apulian Mama Marjas, known as the “Queen of Italian Reggae.” The chapter argues that such a legacy is mostly evident in the younger artists’ view of music as message, and thus of themselves as self-p

Cantankerous

FER

Digest

DRAFT