| 書目名稱 | Reggae and Hip Hop in Southern Italy | | 副標(biāo)題 | Politics, Languages, | | 編輯 | Susanna Scarparo,Mathias Sutherland Stevenson | | 視頻video | http://file.papertrans.cn/826/825174/825174.mp4 | | 概述 | Relevant to students and scholars in the fields of Italian Studies, Cultural Studies, Gender Studies, Mediterranean Studies, Popular Music Studies and Global Studies.Focused on groups and solo artists | | 叢書名稱 | Pop Music, Culture and Identity | | 圖書封面 |  | | 描述 | This book explores the significance of reggae and hip hop in Southern Italy from the beginning of the 1980s to the present. Focusing on groups and solo artists located predominantly in the Southern Italian regions of Apulia and Sardinia, it examines the production and distribution of their music, lyrics and video clips. To this end, Reggae and Hip Hop in Southern Italy emphasizes the linguistic aspects of cultural marginalization as well as marginalities linked to geographical location, gender, and to social and political identification. The authors put forward three key arguments, namely: that the Southern Italian transcultural and multilingual musical productions defy the cultural stereotype of the South; that the musicians discussed are creating new alliances and transcultural exchanges that engage critically with the challenges and opportunities offered by globalization; and that these musical productions represent one of Italy’s most significant forms of creative political expression since the 1970s..?.Reggae and Hip Hop in Southern Italy brings to light the distinctive characteristics of Italy’s independent and marginal musical contexts of reggae and reggae-inflected hip hop. | | 出版日期 | Book 2018 | | 關(guān)鍵詞 | Popular Culture; Italian Hip Hop; Southern Italy; Hip Hop; Reggae; Italian Reggae; Salentine; Sa Razza; Rand | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-96505-5 | | isbn_softcover | 978-3-030-07204-9 | | isbn_ebook | 978-3-319-96505-5Series ISSN 2634-6613 Series E-ISSN 2634-6621 | | issn_series | 2634-6613 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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