Titlebook: Refashioning Iran; Orientalism, Occiden Mohamad Tavakoli-Targhi Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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表兩個(gè)

,Orientalism’s Genesis Amnesia, conditions of its emergence and the production of its linguistic and textual tools. By turning “the Orient” into an object of analysis and gaze, Orientalism as a European institution of learning anathematized the Asian pedagogues of its practitioners. Embedded in an active process of forgetting, hi

REP

Persianate Europology,yed to England in 1766–9 recounted: “The young and old gazed at my countenance and shape and I stared at their beauty and face. I journeyed for a spectacle and became a spectacle myself.”. Some 70 years later another Persian traveler, Prince Riza Quli Mirza, is reported to have turned abruptly to hi

冥界三河

Imagining European Women,nting of their self-experience provided the material for the formation of competing discourses on women of Europe. With the political hegemony of Europe, a woman’s body served as an important marker of identity and difference and as a terrain of cultural and political contestations. The eroticized d

薄膜

Contested Memories,nings are embedded in narrative structures that terminate in the Muslim conquest of Iran and the death of Yazdigird III (d. 31/651 or 652), the last Sasanian king. In early “Islamicate” historiography the accounts of ancient Iran served as an allegory of the Persian (differentially identified as .,

思考才皺眉

Crafting National Identity,nguage. Informed by . texts and inspired by the . of Firdawsi, modern historical writings harnessed the Iranian homeland (.) to an immemorial past beginning with Mahabad and Kayumars and pointing toward a future unison with Europe. Iran’s pre-Islamic past was celebrated as a glorious and industrious

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字的誤用

,Orientalism’s Genesis Amnesia,f Orientalism appropriates as its own the agency, authorality, and creativity of its Other. As a hegemonic and totalizing discourse, Orientalism celebrates its own perspectival account as scientific and objective while forgetting the histories and perspectives informing its origins.

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