Titlebook: Refashioning Iran; Orientalism, Occiden Mohamad Tavakoli-Targhi Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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書目名稱Refashioning Iran影響因子(影響力)




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書目名稱Refashioning Iran網(wǎng)絡(luò)公開(kāi)度




書目名稱Refashioning Iran網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Refashioning Iran被引頻次




書目名稱Refashioning Iran被引頻次學(xué)科排名




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https://doi.org/10.1057/9781403918413gender; historiography; history; identity; Iran; national identity; women

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Persianate Europology,urselves than the crowd began to gather round, passing and re-passing us in a manner that enabled us to see much more than we should have done had we been walking about; and my friend, now in a state of greater comfort, made free and amusing remarks.”. Like Persian voyagers, Europeans also experienc

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Imagining European Women, For Iranian modernists, viewing European women as educated and cultured, the veil became a symbol of backwardness. Its removal, in their view, was essential to the advancement of Iran and its dissociation from Arab—Islamic culture. For the counter-modernists who wanted to uphold the Islamic social

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Patriotic and Matriotic Nationalism,d to the emergence of the public sphere and popular sovereignty — the participation of “the nation’s children” (both male and female) in determining the future of the “motherland” .. As for popular sovereignty, this changing gender of nationalhome was crucial to the resignification of . from the inf

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Postscript,nitor of humanity, Kayumars as the first universal king, Mazdak as a theoretician and practitioner of freedom and equality, Kavah-’i Ahangar as the originator of “national will” ., and Anushirvan as a paradigmatic just-constitutional-monarch. This inventive remembrance of things pre-Islamic inspired

otic-capsule