| 書(shū)目名稱(chēng) | Re/Imagining Depression | | 副標(biāo)題 | Creative Approaches | | 編輯 | Julie Hollenbach,Robin Alex McDonald | | 視頻video | http://file.papertrans.cn/822/821805/821805.mp4 | | 概述 | Seeks to locate depression in the affective and poetic spaces of art, film, critical theory, literature, politics, and the ‘everyday’Generates new paradigms for thinking about and through depression’s | | 圖書(shū)封面 |  | | 描述 | .What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called “depression.” Texts such as Julia Kristeva’s .Black Sun: Depression and Melancholia .(1989), Andrew Solomon’s .The Noonday Demon. (2000), Allie Brosh’s cartoons, “Adventures in Depression” (2011) and “Depression Part Two” (2013), and Lars von Trier’s film .Melancholia. (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich’s .Depression: A Public Feeling. (2012) has answered the author’s own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-“impasse.”. Inspired by Cvetkovich’s efforts to re-shape the depressive expe | | 出版日期 | Book 2021 | | 關(guān)鍵詞 | Depression; Depression and Affect theory; Depression and visual culture; Race and depression; Depression | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-80554-8 | | isbn_softcover | 978-3-030-80556-2 | | isbn_ebook | 978-3-030-80554-8 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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