Titlebook: Re-Situating Public Theatre in Contemporary France; Theatres and Their P Ifigenia Gonis Book 2023 The Editor(s) (if applicable) and The Aut

Acetabulum

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https://doi.org/10.1007/978-3-031-22472-0Contemporary French Theatre; French Literature; Public Theatre; Decentralization; Spectatorship; Cultural

Preamble

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978-3-031-22474-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

牌帶來(lái)

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Decentralization, chapter argues that the notion of centrality has itself also shifted. No longer solely geographical, centrality must also be understood socially, that is, in terms of the vision of society that is presented on the stage and the relational dynamics said staging establishes with its public(s).

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煩擾

,Build: Théatre Nanterre-Amandiers, Nanterre,pectator participation as well as an interrogation of the notion of .. The second, Phia Ménard’s ., pushes the question of “community” even further, not necessarily by exploring the possibility for expansion of ways of creating or conceiving community, but by directly questioning the foundation that

寄生蟲

Diversify: MC93, Bobigny,s of relationality, particularly when it comes to the imagination of the “Other”. At the same time, it must also walk a delicate balance between pedagogy and redistribution of intellectual labour on the part of the individual spectators in the room as it openly asks: what does it mean to be “French”

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