Titlebook: Re-Situating Public Theatre in Contemporary France; Theatres and Their P Ifigenia Gonis Book 2023 The Editor(s) (if applicable) and The Aut

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Introduction,c theatres in Metropolitan France. While these occupations were the result of months of policymaking decisions during the COVID-19 pandemic, it is what they revealed about the sites of the public theatre network in France that carries the most resonance. Namely, the extent to which one considers the

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,Assemble: La Colline, Théatre National, Paris (20th Arrondissement), current artistic director, Wajdi Mouawad, particularly his imagination of the possibilities of theatre to extend beyond a performative context and enter a process of more global (or universalist) connection-building. It then moves to an analysis of Mouawad’s ., a piece that, while presenting a poss

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,Pluralize: Théatre de la Bastille, Paris (11th Arrondissement), however, has allowed its artistic director, Jean-Marie Hordé, to remain at his post from 1989 to 2022. Hordé is also notable for having written extensively about his position, particularly on the theatre space and its relationship with its greater territory and publics. Notably, the Bastille under

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Book 2023he “public”. Understanding these phenomena, as well as the politics that underscore them, is key to understanding not only the present status of the public theatre in France, but also how theatre as a publicly funded institution interacts with the notion of the plurality, rather than the homogeneity, of its publics.