Titlebook: Oral History and Digital Humanities; Voice, Access, and E Douglas A. Boyd (currently serves as the director Book 2014 Palgrave Macmillan,

不容置疑

profligate

Dean Rehbergeren angenommen hat, die einen Ausgabenstop — oder eine allseitige Probleml?sung — zu einem Akt der gewollten Rezession machen würde! Der Wegfall der industrialisierten Behandlung industriegesellschaftlich produzierter Probleme k?me (wie im Falle der Abrüstung) einem betr?chtlichen Rückgang des Brutto

不可接觸

Why Do We Call It Oral History? Refocusing on Orality/Aurality in the Digital Agey for a post office box. We certainly did not have the money or womanpower to create transcripts. Besides, at that time, we were not primarily interested in creating an archive; we were about giving voice.

雪白

Adventures in Sound: Aural History, the Digital Revolution, and the Making of “‘I Can Almost See theo Portelli—upon whose interviews the essay-in-sound was constructed—and I attempted to address while working on it? And how did Gerry Zahavi—who edited this hybrid piece of experimental scholarship for .—and the two of us attempt to solve those problems?

痛恨

Ordnance

柔軟

Systemic

Badger

tangle

Densho: The Japanese American Legacy Projectration of 120,000 Japanese Americans. Within the course of the past year, hundreds of thousands of people from around the world have visited Densho’s onsite offerings, including its still-expanding collection of 800 video interviews with Japanese Americans who were incarcerated in wartime American detention facilities.