Titlebook: Noel Coward; (Macmillan Modern Dr Frances Gray Textbook 1987Latest edition Macmillan Publishers Limited 1987 Britain.drama.dramatist.histor

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Mainly about Style, may use words like ‘genius’, but more frequently their specific approbation is muted, freely acknowledging that there were better writers, better composers, more variously talented actors. To celebrate Coward is not necessarily to admire a particular piece of work but to enjoy the impact of a highl

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Five Comedies, really happens; at the end of the play they are in the same state as they were at the beginning. If this sounds like . this is not wholly coincidental. For all his dislike of the style and form employed by the Theatre of the Absurd, Coward dramatised in the story of Elyot and Amanda the sense of in

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Afterword,me other, lesser works — witness the expensively mounted . at Chichester. A series of adaptations of Coward short stories ran in 1986 in a peak slot on television and as I write a glossy magazine is explaining the phrase ‘Very Noel Coward’:

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,Society’s Hero,rally and as spontaneously as a champagne bubble, and Coward was confident enough of its reception to set a new theatrical precedent: the cast did not take the customary end-of-act curtain call but allowed the tension to remain unbroken till the end of the play, when, of course, the applause was tre

Highbrow

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