Titlebook: Noel Coward; (Macmillan Modern Dr Frances Gray Textbook 1987Latest edition Macmillan Publishers Limited 1987 Britain.drama.dramatist.histor

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書目名稱Noel Coward影響因子(影響力)




書目名稱Noel Coward影響因子(影響力)學(xué)科排名




書目名稱Noel Coward網(wǎng)絡(luò)公開度




書目名稱Noel Coward網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Noel Coward被引頻次




書目名稱Noel Coward被引頻次學(xué)科排名




書目名稱Noel Coward年度引用




書目名稱Noel Coward年度引用學(xué)科排名




書目名稱Noel Coward讀者反饋




書目名稱Noel Coward讀者反饋學(xué)科排名

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Five Comedies,habiting a universe without meaning or controlling force; in the twenties, anticipating Beckett, he earned a label for himself in Robert Graves’s summary of that decade: ‘Coward was the dramatist of disillusion, as Eliot was its tragic poet, Aldous Huxley its novelist, and James Joyce its prose epic-writer.’.

Diaphragm

,Consider the Audience …, twenties and its attempts to shut out the memories of war underlay the decade’s most fashionable ailment, neurasthenia. ‘Nerves’ drove Nicky and the Poor Little Rich Girl, and indeed Coward himself. The diagnosis of the thirties was more sombre — ‘a(chǎn)nxiety’, the sense of ill-being summed up at the close of . in .:

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https://doi.org/10.1007/978-1-349-18802-4Britain; drama; dramatist; history; history of literature; literature; theatre; theatre history; twentieth c

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,Consider the Audience …,sal, a wonderful small part in . at the Duchess. (“A little too emotional” — too ., the boy was dying in a shell-hole !)’. The story in many ways symbolises the theatrical, and indeed social climate that was to prevail throughout the thirties and into the war years. ‘Youth’ was no longer a magical w