Titlebook: Negation, Critical Theory, and Postmodern Textuality; Daniel Fischlin Book 1994 Springer Science+Business Media Dordrecht 1994 English.Jac

Halcyon

書目名稱Negation, Critical Theory, and Postmodern Textuality影響因子(影響力)




書目名稱Negation, Critical Theory, and Postmodern Textuality影響因子(影響力)學科排名




書目名稱Negation, Critical Theory, and Postmodern Textuality網(wǎng)絡公開度




書目名稱Negation, Critical Theory, and Postmodern Textuality網(wǎng)絡公開度學科排名




書目名稱Negation, Critical Theory, and Postmodern Textuality被引頻次




書目名稱Negation, Critical Theory, and Postmodern Textuality被引頻次學科排名




書目名稱Negation, Critical Theory, and Postmodern Textuality年度引用




書目名稱Negation, Critical Theory, and Postmodern Textuality年度引用學科排名




書目名稱Negation, Critical Theory, and Postmodern Textuality讀者反饋




書目名稱Negation, Critical Theory, and Postmodern Textuality讀者反饋學科排名

FAZE

Forster’s Ghosts: , and the Emptying of NarrativeFor these caves to which “nothing attaches” were once full of narrative stuff. Things happened there. Thus I want to explore what happens to a fiction that is emptied out. What traces remain, what work do they do? What other traces, other ghosts move in the text?

Cardiac-Output

ANT

Nothing Doing: The Repudiation of Action in Beckett’s ,something next” exists from the beginning of Beckett’s career and “evasive strategies” similar to those described in Beckett’s later prose1 are in fact at work in the 1934 collection, as I will show by way of a reading of the volume’s opening story, “Dante and the Lobster,” supplemented by brief references to other stories from the collection.

極小量

Putting on the Feminine: Gender and Negativity in , and ,imicry and parody, can constitute a specific strategy of feminist negativity aimed at displacing and relocating various instances of gender construction within which women have found themselves defined in terms of denial, absence, and/or opposition—that is, in terms of negation.

要素

Euphonious

implore

The Shadow Life: Negation, Nihilism, and Insanity in Thomas Bernhard’s ,ies an act that destroys or reverses the sign of its object. It has the apparent simplicity of a negative prefix (in-, dis-, non- or the minus sign), which cancels out the prior meaning. This is a sanitary notion of negation, as if the act of negating achieves a pure reversal, leaving no trace of what was prior and no remainder.

stratum-corneum

可互換

“Theres More Nothing to Say”: Unspeaking Douglas Barbour’s “Story for a Saskatchewan Night”series of borders, blurred boundaries where text might meet an-other: text, or silence, or what cannot be spoken. Allowing this textual body its perforations, its occasional hysteria in the face of nothing, its desire.