Titlebook: Memoirs of Victorian Working-Class Women; The Hard Way Up Florence s. Boos Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 a

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Tidious

,Memoir and People’s History in Janet Hamilton’s ,, which she had managed to flourish. In a period when the life story of a working-class shoemaker’s wife and mother of ten might not have attracted interest, Hamilton’s essays, reprinted from the ., blended memories of a devout, rural, and preindustrial culture with the account of a bright girl’s observant and restless childhood.

饒舌的人

MARS

,Ellen Johnston: Autobiographical Writings of “The Factory Girl”,vants, and Johnston’s pointed use of the epithet and self-designation of the “Queen of the Penny Post” reflected pride not only in her verse, but also in her ability to reach a working-class audience against enormous odds.

Original

THE

Introduction: Memoirs of Victorian Working-Class Women,ces of violence in these accounts. Other sections consider the range of styles, occupations, and life circumstances represented in these memoirs, and suggest ways in which they differ from the autobiographical writings of their working-class male and middle-class female contemporaries.

我悲傷

Uneven Access: Working-Class Women and the Education Acts,rcement, the politics of local school boards, and the rote nature of the instruction provided, nonetheless marked a seismic shift in widening opportunities for women of the British working classes in the late nineteenth century and beyond.

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步履蹣跚

,The Annals of the Poor—Rural and Conversion Narratives: Elizabeth Campbell, Christian Watt, Elizabefor the memoirs of those discussed in the second section: Jane Andrew, an invalided orphan; Barbara Farquhar, a “Labourer’s Daughter” and author of a treatise promoting Sundays as a day of rest; and A. Collier, a “Bible-Woman” who sought divine help in her struggles to cope with the sporadic hunger and physical violence she endured.

STERN