Titlebook: Managing Corporate Responsibility in the Real World; Lessons from the fro Jouko Kuisma Book 2017 The Editor(s) (if applicable) and The Auth

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Jouko Kuismangularity and fixedness in cultural forms. Grosz reminds us that ‘unlike man’s body, the female body is frequently depicted within patriarchal cultural discourse as fluid, unstable, chameleon-like … is penetrable, changes shape, swells, gives birth, contracts, lactates, bleeds’. (Grosz, 1995, p. 87)

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Jouko Kuisma … superior to … [her] station”’ (113), becoming the basis (but certainly not the ends) of her sympathies with Maria. Although forced to listen to obscenities, she nevertheless hears arguments and discussions from which most ‘“women are excluded”’ (114).

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Jouko Kuisma … superior to … [her] station”’ (113), becoming the basis (but certainly not the ends) of her sympathies with Maria. Although forced to listen to obscenities, she nevertheless hears arguments and discussions from which most ‘“women are excluded”’ (114).

相互影響

Jouko Kuismayklus der Kapelle? Ist dock Petrus nicht der Namenspatron des Auftraggebers Felice Brancacci. Was hat der Petruszyklus als Ganzes zu bedeuten.? Wie ist der Anteil der beiden in den Quellen genannten Künstler Masolino und Masaccio an dem Petruszyklus zu bestimmen? Fragen über Fragen, die bei dem Fehl

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