Titlebook: Literary Geographies; Narrative Space in L Sheila Hones Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 Narrative.New

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,’s New York,he imagined that’s real.’” In his view, the “best writers attempt to become alternative historians,” noting that his understanding of early twentieth- century Dublin has been “almost entirely guided by my reading of ..”. It is not surprising, then, that despite all the believable details of the New

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Narrative Space,ole, the study explores the idea that the literary work can be understood to happen collaboratively in this way, one reader at a time, repeatedly, as each reading generates the event out of multiple contexts and connections. Like place, I have been arguing, fiction happens in space, is the product o

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The Intertextual City,he coherence and connectedness of the space of the fictional world—to the intertextual. It explores the idea that just as New York, the city, happens for people variously in a mixture of the physical and the social—the real and present mixed in with the anticipated and remembered—so the fictional Ne

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Literary Space,me together in my participant-observer reading to produce a complicated unsettled city geography that could not be unambiguously aligned with any single fictional location. The implication throughout was that there would be as many versions of such an intertextual New York as there were readers, wit

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Geographies of Creation and Promotion,cussion turns to a consideration of two extratextual aspects of the literary geography text event: in this chapter, production and promotion and, in the following chapter, reception. However, while this chapter moves beyond text-centered analysis to consider geographies of the creation and promotion

Chronological

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