Titlebook: Literary Geographies; Narrative Space in L Sheila Hones Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014 Narrative.New

Foregery

Geographies of Creation and Promotion,because the point of the chapter is to acknowledge that geographies of production and promotion are significant components of literary geography, the emphasis here continues to be on McCann’s novel (and McCann’s professional persona) as a model through which to explore literary geography, not on lit

誘使

Geographies of Reception,, entrepreneurship, and criticism that enable and are made visible by these reception/promotion activities provide the literary geographer with a valuable resource for the analysis of the mechanisms through which certain novels become widely read.

圓木可阻礙

Book 2014Combining literary analysis with a practical introduction to interdisciplinary literary geography, Literary Geograp hie s examines key elements of Colum McCann‘s 2009 novel, Let the Great World Spi n . Hones examines concepts such as narrative space, literary and academic collaboration, and the geographies of creation, production, and reception.

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hallow

Onerous

Stagger

農(nóng)學

Introduction,g up from subway stations, climbing out of taxis, and stepping down from buses. The city is full of morning noise and movement: trucks honking, subways rumbling, ferries landing, revolving doors revolving. Gradually, in the midst of the sound and the traffic, many of the commuters slow down, stop wa

indubitable

The Event of the Novel,n the course of intermingled processes of writing, publishing, and reading and that as a result, because this intermingling is inevitably spatial, the work as it emerges can be understood as a geographical event, or a series of connected events, which have been unfolding (and continue to unfold) in

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