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Titlebook: Life After Literature; Perspectives on Biop Zoltán Kulcsár-Szabó,Tamás Lénárt,Roland Végs? Book 2020 Springer Nature Switzerland AG 2020 An

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樓主: cerebellum
21#
發(fā)表于 2025-3-25 06:30:59 | 只看該作者
22#
發(fā)表于 2025-3-25 08:20:51 | 只看該作者
Ern? Kulcsár Szabó simulations of sonic jet in supersonic crossflow about penetration height, transverse distribution, and concentration profiles are usually compared with experimental results to prove the reliability of numerical simulations. (Or though numerical simulations can reproduce the detailed jet flowfield,
23#
發(fā)表于 2025-3-25 13:49:48 | 只看該作者
Bio-poetics and the Dynamic Multiplicity of Bios: How Literature Challenges the Politics, Economics t possible to write life experiences that exceed life-forms. A bio-poetical reading challenges the economic politics of global capitalism, as shown in the example of Roberto Saviano’s . (2006/2007) and Roberto Bola?o’s . (2004). In addition, I also intend to argue that visual and literary aesthetics
24#
發(fā)表于 2025-3-25 17:26:59 | 只看該作者
25#
發(fā)表于 2025-3-25 22:10:22 | 只看該作者
Man and Other Political Animals in Aristotlethings to become the basis of forming opinions, and thus to be subject to further interpretations and discussions. Additionally, this conventionality is constitutive for the . and it gives a special political character to human communal life, far beyond the animal communities, for this conventional
26#
發(fā)表于 2025-3-26 03:00:35 | 只看該作者
Self-interpreting Language Animal: Charles Taylor’s Anthropologyigate both Taylor’s relation to the hermeneutic tradition, more specifically to Heidegger and Gadamer, and to the narrative theory of personal identity. The last part of the argument follows Taylor’s recent undertaking in his . (.), where he elaborated his theory of how and to what extent the human
27#
發(fā)表于 2025-3-26 05:12:32 | 只看該作者
Bio-Aesthetics: The Production of Life in Contemporary Artd question conventional definitions of art and science as well as traditional understandings of life in its morphological and ontological plasticity. In a biopolitical reading of the making of (quasi-)life in contemporary art, I query the limits and ethics of a creative practice in which artists ves
28#
發(fā)表于 2025-3-26 11:36:46 | 只看該作者
29#
發(fā)表于 2025-3-26 16:26:20 | 只看該作者
30#
發(fā)表于 2025-3-26 18:56:51 | 只看該作者
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