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Titlebook: Life After Literature; Perspectives on Biop Zoltán Kulcsár-Szabó,Tamás Lénárt,Roland Végs? Book 2020 Springer Nature Switzerland AG 2020 An

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發(fā)表于 2025-3-21 17:12:51 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Life After Literature
副標題Perspectives on Biop
編輯Zoltán Kulcsár-Szabó,Tamás Lénárt,Roland Végs?
視頻videohttp://file.papertrans.cn/586/585772/585772.mp4
概述Offers innovative investigations of the concept of life in art and in theory.Combines different methodological aspects and addresses a wide field of comparative literary studies.Includes concrete case
叢書名稱Numanities - Arts and Humanities in Progress
圖書封面Titlebook: Life After Literature; Perspectives on Biop Zoltán Kulcsár-Szabó,Tamás Lénárt,Roland Végs? Book 2020 Springer Nature Switzerland AG 2020 An
描述.This book offers innovative investigations of the concept of life in art and in theory. It features essays that explore biopoetics and look at how insights from the natural sciences shape research within the humanities. Since literature, works of art, and other cultural products decisively shape our ideas of what it means to be human, the contributors to this volume examine the question of what literature, literary and cultural criticism, and philosophy contribute to the distinctions (or non-distinctions) between human, animal, and vegetal existence. .Coverage combines different methodological aspects and addresses a wide field of comparative literary studies. The essays consider the question of language (as a distinctive feature of human existence) in a number of different contexts, which range from Aristotle’s works, through several historical layers of the philosophical discourse on the origins of speech, to modern anthropology, and 20th century continental philosophy. In addition, the volume includes concrete case studies to the current post-humanism debate and provides literary, art historian, and philosophical perspectives on animal studies...The historical multiplicity of t
出版日期Book 2020
關(guān)鍵詞Animal Studies; Animals and History of Arts; Biopoetics; Biopolitics; Life and Literature; Language and A
版次1
doihttps://doi.org/10.1007/978-3-030-33738-4
isbn_softcover978-3-030-33740-7
isbn_ebook978-3-030-33738-4Series ISSN 2510-442X Series E-ISSN 2510-4438
issn_series 2510-442X
copyrightSpringer Nature Switzerland AG 2020
The information of publication is updating

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Noble Promises: Performativity and Physiology in Nietzscheniques and the promise put themselves mutually into effect and reveal their?physiological?background humanising and dehumanising the human being. The major focus of this paper is directed at the relationship between the performativity of language and its?physiological, but also “divine”?(pre)conditions.
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Book 2020sights from the natural sciences shape research within the humanities. Since literature, works of art, and other cultural products decisively shape our ideas of what it means to be human, the contributors to this volume examine the question of what literature, literary and cultural criticism, and ph
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‘Step by Step into Ever Greater Decadence’: Discourses of Life and Metamorphic Anthropologydity, for it seeks to explore Life within the living, the . at work within all ., so as to show the productive, form-manufacturing character of baselessness and emptiness. In this context, Hugo von Hofmannsthal’s . (Ein Brief, .) can be interpreted as a textual artifact of the humanist ideology’s final farewell.
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Towards a Poetics of Worldlessness: Hannah Arendt and the Limits of Human Action always be marked by a withdrawal from the world. This inversion of Arendt’s reflections on life, thought, world, and action, is the necessary foundation for a new engagement of the problem of worldlessness in the age of biopolitical rule.
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Of Mice and Men: Dissolution and Reconstruction of ‘Nature’s Larger Scheme’: Burns, Mész?ly, Kertészame time. This is the linguistic, poetic gesture that appears in the poem of Robert Burns (.) or later in the novel of John Steinbeck (.). This is the gesture that becomes radical in the post-Kafka era in Hungarian literature, in the short story of Miklós?Mész?ly (.) and in a famous passage of the Imre Kertész novel (.).
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