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Titlebook: Italian Cinema; Gender and Genre Maggie Günsberg Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 cinema.film.

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發(fā)表于 2025-3-23 12:24:31 | 只看該作者
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發(fā)表于 2025-3-24 01:25:11 | 只看該作者
Domestic Bliss: Desire and the Family in Melodrama,phere of everyday family life. At the same time, the sheer excesses of the genre in portraying the family under threat from female sexuality, together with the heavily didactic and anachronistic fixation of femininity within the domestic sphere, point to a fantasy genre of the emotions in the service of patriarchal and Catholic ideologies.
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發(fā)表于 2025-3-24 09:48:21 | 只看該作者
Book 2005the spaghetti western. These genres are explored from a gender standpoint which takes into account the historical and socio-economic context of cinematic production and consumption. An interdisciplinary feminist approach informed by current film theory and other perspectives (psychoanalytic, materia
17#
發(fā)表于 2025-3-24 13:23:23 | 只看該作者
Introduction, of the major ideologies informing mainstream cinematic output in Italy. The central focus is on an analysis of gender as portrayed through the formal properties of cinema, an analysis informed by feminist theory.
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發(fā)表于 2025-3-24 18:28:18 | 只看該作者
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發(fā)表于 2025-3-25 02:33:52 | 只看該作者
orror and the spaghetti western. These genres are explored from a gender standpoint which takes into account the historical and socio-economic context of cinematic production and consumption. An interdisciplinary feminist approach informed by current film theory and other perspectives (psychoanalyti
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