Titlebook: Italian Cinema; Gender and Genre Maggie Günsberg Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 cinema.film.

矜持

書目名稱Italian Cinema影響因子(影響力)




書目名稱Italian Cinema影響因子(影響力)學(xué)科排名




書目名稱Italian Cinema網(wǎng)絡(luò)公開度




書目名稱Italian Cinema網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Italian Cinema被引頻次




書目名稱Italian Cinema被引頻次學(xué)科排名




書目名稱Italian Cinema年度引用




書目名稱Italian Cinema年度引用學(xué)科排名




書目名稱Italian Cinema讀者反饋




書目名稱Italian Cinema讀者反饋學(xué)科排名

彎曲道理

Maggie Günsbergiochemistry is closely connected with nutrition, the study of the types and amounts of various materials required in the diet. Biochemistry is also inextricably int~rtwined with endo- crinology, the study of hormones, for most of the hormones exert their actions by altering the behaviour of chemical

整潔

Maggie Günsberge strategy. Computer navigation through the use of hexapod technology has further advanced the surgeon’s ability to realign malunited fractures and nonunions safely and reproducibly. Frame stability is paramount to successfully controlling the fixated bone fragments and performing accurate deformity

generic

平躺

單片眼鏡

Maggie Günsberggments in the desired position. With the use of the fixator, the following can be achieved in bone fragments: neutralization, compression, dynamization, distraction, angulation, rotation, osteotaxis, ligamentotaxis, elastic fixation, and biocompression. In order to achieve the abovementioned, biomec

跳動

溫和女人

Introduction,the spaghetti western. The area under scrutiny is therefore the interface between ideology and cultural production, with overarching patriarchy as one of the major ideologies informing mainstream cinematic output in Italy. The central focus is on an analysis of gender as portrayed through the formal

compel

Domestic Bliss: Desire and the Family in Melodrama,amily and especially with motherhood and childhood. Heralded retrospectively as Italian cinema’s first national mass genre in an industry moving towards internationalization, the melodramas of this period are seen as successfully tapping into postwar desire for a return to stability in the private s

frozen-shoulder

Commodifying Passions: Gender and Consumerism in ,er social groups, going on to find expression in Italian . and Renaissance theatre’s earthy focus on goods, sexuality and the business of marriage in an era of nascent capitalism. On a continuing trajectory through Goldoni’s eighteenth-century bourgeois comedies of socio-sexual manners, fashion as s