Titlebook: Indian Literature and the World; Multilingualism, Tra Rossella Ciocca,Neelam Srivastava Book 2017 The Editor(s) (if applicable) and The Aut

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The Voices of Krishna Sobti in the Polyphonic Canon of Indian Literatureures by depicting modern women continuously fighting to negotiate their own identity in the new nation. Offering an enduringly original outlook on the events, often with multiple points of view on reality, Sobtī proposes a narrative model that resists any hegemonic discourse, and represents a fundamental voice in Indian literary canon.

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Resisting Slow Violence: Writing, Activism, and Environmentalismia Progressive Writers’ Association. Although they are often categorized as ‘environmentalist writers’, Roy and Devi question the meaning of environmentalism as a universal category and reframe it as grass-roots resistance against the ‘slow violence’ (Nixon) of neo-liberal capitalism.

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Pre-Nation and Post-Colony: 1947 in Qurratulain Hyder’s , and Salman Rushdie’s ,awing a comparative trajectory between two works representing two distinctive narrative modalities of capturing time, Sunder Rajan opens a dialogue between Qurratulain Hyder’s . (1948; original title .) and Salman Rushdie’s . (1981), written respectively in Urdu and in English. One date is central t

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Reading Together: Hindi, Urdu, and English Village Novelsl locals’ are often more fragmented than we think. While multilingualism suggests interest, and proficiency, in more than one literary language and tradition, very real barriers exist in terms of written vs. oral access, mutual interaction, and social and cultural hierarchies and exclusions. What do

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Choosing a Tongue, Choosing a Form: Kamala Das’s Bilingual Algorithmswriter who at the beginning of her career chose the English language for her poetic writing and Malayalam for her short stories. The author suggests that a close consideration of the economies of expression in Das’s early poetry and short fiction permits us to explore her bilingual compositional met

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A Multiple Addressivity: Indian Subaltern Autobiographies and the Role of Translationevelopment of a distinct genre, the ‘subaltern autobiography’ that is encoded as a product of translation practices in India, practices that differ distinctly from the Western context. The reasons for this are, firstly, because in India the role of the translator is a much more visible figure, and s

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The Modern Tamil Novel: Changing Identities and Transformations translation on it. Holmstr?m reconstructs the development of the modern novel in Tamil in the past decades, discussing in particular some authors who have been deemed to be extremely influential on the course of recent Tamil literary history. Ashokamitran, Sundara Ramaswamy, Ambai, and Bama have na