Titlebook: Independent Television Production in the UK; From Cottage Industr David Lee Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

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Creative Labour and Social Changeon the author’s own research into the British indies, as well as a growing body of research into labour in various international settings. It seeks to connect this to broader debates within the cultural and creative industries about ‘good work’, craft and precarity, while connecting industry changes

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Independent Creativityion content. In doing so, it positions these programmes as emerging from specific social, cultural and economic contexts. The relationship between craft, value and place is considered, as is the shift towards formatting and commercialisation from the 1990s.

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Commercialisation, Consolidation and Cultural Value: The Restructuring of the British Independent Teative hub for generating great content that can be shown around the world’ (Viacom, .. At: ., 2015). But what is the cost of this ambition for the production of content that explores the culture and concerns of UK residents? Drawing on interviews and secondary sources, this chapter examines the fact

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978-3-030-10091-9The Editor(s) (if applicable) and The Author(s) 2018

Adherent

David LeeFirst comprehensive history of the UK’s independent TV sector.Presents qualitative insights into the nature of creative work in the UK indie sector.Includes interviews with a wide range of creative wo

原始

Enteropathic

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