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Titlebook: Independent Television Production in the UK; From Cottage Industr David Lee Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

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發(fā)表于 2025-3-21 19:41:36 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Independent Television Production in the UK
副標(biāo)題From Cottage Industr
編輯David Lee
視頻videohttp://file.papertrans.cn/464/463389/463389.mp4
概述First comprehensive history of the UK’s independent TV sector.Presents qualitative insights into the nature of creative work in the UK indie sector.Includes interviews with a wide range of creative wo
圖書(shū)封面Titlebook: Independent Television Production in the UK; From Cottage Industr David Lee Book 2018 The Editor(s) (if applicable) and The Author(s) 2018
描述.This book is the first authoritative account of the UK’s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ‘indies’, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.. . .
出版日期Book 2018
關(guān)鍵詞independent television; UK independent sector; UK indies; indies; television production; television indus
版次1
doihttps://doi.org/10.1007/978-3-319-71670-1
isbn_softcover978-3-030-10091-9
isbn_ebook978-3-319-71670-1
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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發(fā)表于 2025-3-21 22:41:56 | 只看該作者
The Creation of the Independent Sector in the UKly British independents. It is a complex history, which involves examination of the lengthy, conflict-riven political and cultural battle over Channel 4, and the new publishing model in broadcasting that it introduced. The early production companies that were created at this time are unrecognisable
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發(fā)表于 2025-3-22 00:48:45 | 只看該作者
New Labour, Creative Industries Policy and the Rise of the ‘Mega-Indies’ and development, in particular under New Labour. There has been a rapid commercialisation of the sector during this period, in part because of regulatory change. In the last ten years, independent production companies have become ever more global in terms of structure, outlook and business relation
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發(fā)表于 2025-3-22 09:26:22 | 只看該作者
Working in the Indies: Precarity, Value and Burnoutbased on qualitative research carried out with television workers in the mid-2000s, who were re-interviewed in 2016 and 2017. Focusing on the precarious nature of cultural work in the indie sector, the chapter explores the psychosocial experiences of participants, as they wrestle with the psychologi
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發(fā)表于 2025-3-23 08:18:52 | 只看該作者
New Labour, Creative Industries Policy and the Rise of the ‘Mega-Indies’e, the chapter details the changes to the independent sector since 1997. In so doing, it provides a critical framework for assessing the rapid commercialisation of the television industry during the New Labour period and beyond.
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