Titlebook: Idology in Transcultural Perspective; Anthropological Inve Aoyagi Hiroshi,Patrick W. Galbraith,Mateja Kovacic Book 2021 The Editor(s) (if a

intellect

https://doi.org/10.1007/978-3-030-82677-2Idology; Popular Idolatry; Japanese idols; Kpop; Material Culture; Pop Culture; Idolatry

Notorious

978-3-030-82679-6The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

Harridan

OUTRE

橢圓

Idology in Transcultural Perspective: Anthropological Investigations of Popular Idolatry,irst decade of the new millennium to establish as a subfield of symbolic anthropology called “idology,” but goes further to provide a transcultural perspective to guide anthropological investigations of popular idolatry in different places and times. While agreeing that Japan—which Aoyagi refers to

品嘗你的人

On Popular Idolatry: A Reflexive Symbological Spin,ry—as analytically significant components of forming a new academic discipline. The authors suggest it is necessary to surpass the .arbitrarily and non-empirically elaborated inference-makings on specific idols and idol groups in favor of systematically identifying and analyzing the working mechanis

scoliosis

FLAG

Idol Economics: Television, Affective and Virtual Models in Japan,s, namely the integrated media-commodity system or television model, the direct experience or affective model and the virtual model. In the wake of a deteriorating television model, dominated by male idols such as SMAP and Arashi since the 2000s, there is tension today between the competing affectiv

溺愛

Collision

,The “Ultimate Athlete:” Bruce Lee, Martial Arts and the Pursuit of Human Perfection,1970s important in popularizing Buddhist, Daoist and Hindu religions in the United States. More generally, his thought develops within the context of the religious and philosophical milieu of this period—one rooted in ideas derived from “Asian spirituality,” alternative understandings of psychoanaly