Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2

曲解

Transformation of Hong Kong Gangster Movies Before and After CEPAnd a key to the huge market in China. Almost two decades after the handover, Hong Kong still finds huge differences between Mainland China and herself in terms of culture and political systems, but also finds the economic benefits irresistible at the same time. Such an ambivalent mentality is eviden

Crepitus

paradigm

固定某物

: Cinematic Contradictions of Greater Chinaland filmmakers attempt to globalize a new cinematic discourse of Greater China, but fail to reconcile a hegemonic national symbol with diverse local identities. These contradictions reflect the long-standing conflicts among different Chinese polities in Mainland, Taiwan, Hong Kong, and Macau.

窒息

What Is So Asian about Asian Parenting? Deconstructing “Tiger Moms” and “Tiger Dads” in Neoliberal Thyphenated identities? This chapter deconstructs the “authoritarian” meme of Asian parenting by exploring through films the philosophy of parental pedagogy of which the “authoritative” and modernizing state is an integral part. It argues that both parenting and education need to evolve and adapt in

heterogeneous

Negotiating Cold War and Postcolonial Politics: Borders and Boundaries in 1950s Hong Kong Cinemaonalist and Communist regimes and the ideological conflicts of the Cold War. It argues that post–Second World War Hong Kong cinema, when examined through a historical lens, becomes a contested site of affective feelings and narratives, and offers a vantage point to reconstruct the lived experiences,

motor-unit

Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India the depiction of Dharavi as a veritable Disneyland full of crimes, drugs, prostitution, and ., and as a land of utter poverty and moral bankruptcy. This is a strong case study of how Orientalism is, in fact, alive in contemporary Hollywood and in bourgeois Indian cinema under neoliberalism.

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: Financial Irregularities in Hong Konge expense of the vulnerable. The global financial crisis in 2008 undermined the gradual recovery of Hong Kong from the aftermaths of the Asian financial storm in 1997. Many Hong Kong residents lost their savings following the bankruptcy of Lehman Brothers. Even though local banks misled clients to p

枕墊

Discontents of Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cineand Bollywood during the 1970s and 1980s. It focuses on the rising trend of cinematic realism in both cinemas against the backdrop of anxieties brought on by modernization and urbanization. Despite the vast institutional differences between the two cities, the cinematic expressions of popular dissat