Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2

年邁

書目名稱Hong Kong and Bollywood影響因子(影響力)




書目名稱Hong Kong and Bollywood影響因子(影響力)學(xué)科排名




書目名稱Hong Kong and Bollywood網(wǎng)絡(luò)公開度




書目名稱Hong Kong and Bollywood網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Hong Kong and Bollywood被引頻次




書目名稱Hong Kong and Bollywood被引頻次學(xué)科排名




書目名稱Hong Kong and Bollywood年度引用




書目名稱Hong Kong and Bollywood年度引用學(xué)科排名




書目名稱Hong Kong and Bollywood讀者反饋




書目名稱Hong Kong and Bollywood讀者反饋學(xué)科排名

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攀登

978-1-349-95677-7The Editor(s) (if applicable) and The Author(s) 2016

背景

Hong Kong and Bollywood978-1-349-94932-8Series ISSN 2634-5951 Series E-ISSN 2634-596X

Commentary

Chinaman, Not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on Indiaof India and is criticised by Indian scholars as humiliating and distasteful. By highlighting inter-Asian solidarities, Srinivas shows that the fusion of Hong Kong martial arts with Bollywood music and dance unites the twin paragons of global cinema and permits a new reading of the films as a performative critique of the Orientalising gaze.

prostatitis

聲音刺耳

Slum Extravaganza!: Cultural and Geopolitical Representation of Dharavi in Celluloid India the depiction of Dharavi as a veritable Disneyland full of crimes, drugs, prostitution, and ., and as a land of utter poverty and moral bankruptcy. This is a strong case study of how Orientalism is, in fact, alive in contemporary Hollywood and in bourgeois Indian cinema under neoliberalism.

明確

Discontents of Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cineand Bollywood during the 1970s and 1980s. It focuses on the rising trend of cinematic realism in both cinemas against the backdrop of anxieties brought on by modernization and urbanization. Despite the vast institutional differences between the two cities, the cinematic expressions of popular dissatisfaction were very similar in these films.

聚集

https://doi.org/10.1057/978-1-349-94932-8East Asian Cinema; South Asian Cinema; Bollywood; Hong Kong; Globalization; Glocalization; Global Cinema; T

Substitution