Titlebook: History, Fiction, and The Tudors; Sex, Politics, Power William B. Robison Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Tu

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Crime, Punishment, and Violence in ,,iscussion of crime, punishment, and violence in the series on the inaccuracies.. But one might also see the opening sequence as an early alert from the show’s creators that they are presenting not a work of history but a fiction based only loosely on historical facts, something to be watched for wha

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Humanism and Humanitarianism in ,,rified the classical ideal and promoted a curriculum rooted in rhetoric, grammar, and philosophy. With champions like Leonardo Bruni, Rodolphus Agricola, and Erasmus, the intellectual movement quickly spread out of the Italian peninsula and across Europe. Henry VIII and his court were instrumental i

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,All That Glitters is (Fool’s) Gold: Depictions of Court Entertainment in ,,geries of their daily lives. It is, therefore, fortunate for Michael Hirst and his historical soap opera . that such was also the primary objective of Henry VIII in entertaining his court. Unlike nearly every other facet of ., court entertainments enhance rather than detract from what audiences are

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Fashionable Fiction: The Significance of Costumes in ,,f the king responsible for the Break with Rome.. Sixteenth-century observers, like their more recent counterparts, also would have been confronted by the artist’s skillful montage of the assertive pose, the firm gaze, and the sense of physicality created by the size of the king’s body and enhanced b

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