Titlebook: History, Fiction, and The Tudors; Sex, Politics, Power William B. Robison Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Tu

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Catherine of Aragon in ,: Dark Hair, Devotion, and Dignity in Despair,nd Two, has dark hair. Ironically, Showtime executives wanted to make Natalie Dormer’s character, the brunette Anne Boleyn, a blonde, and they were chagrined when she dyed her naturally flaxen hair a darker hue after her initial audition. Perhaps this is because blondes reputedly have more fun—Anne

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,The King’s Sister(s), Mistresses, Bastard(s), and “Uncle” in ,,of those around him. It also regularly disrupts the space–time continuum to create what at first appears to be fictionalized history. Yet, it goes beyond that, for “. is best viewed not as a historical fiction but as a steamy period drama.” Though writer Michael Hirst prides himself on the amount of

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,The King’s In-Laws in ,, think that no one is so great a fool that he would not rather remain unmarried than burden himself with terrible relatives.”. Henry VIII was unusual in that he had six opportunities to get it right—or wrong—when it came to assessing the tolerability of the in-laws he acquired along with his spouses

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