Titlebook: ;

PACK

https://doi.org/10.1007/978-3-662-57703-5 functioning. From this material, a graphical depiction using parametrical design tools will be devised, representing their kinematic behaviour. The findings address aspects related to the graphical representation of an architectural legacy specifically linked to the representation of its moving parts.

說笑

D. K. Chester,A. M. Duncan,C. R. J. Kilburn model becomes an instrument of analysis of the built heritage as well as a conceptual model of the project that vindicates the primacy of the void in architecture. The scale model defines a way of seeing and Moretti’s work puts the creative emphasis on the void in architecture, which deeply permeates his entire career.

inflame

Design Drawings as Cultural Heritage. Intertwining Between Drawing and Architectural Language in thensively, identifying characteristics and peculiarities and, finally, choosing a case study, through which to test the heuristic potential of representation for analysis and interpretation of the design. In this paper we propose graphic, manual and digital analyses related to the design of “Due case a Capri” (1942).

cruise

Drawing Moveable Architecture: The Case of Pi?ero and Escrig’s Deployable Structures functioning. From this material, a graphical depiction using parametrical design tools will be devised, representing their kinematic behaviour. The findings address aspects related to the graphical representation of an architectural legacy specifically linked to the representation of its moving parts.

商議

Luigi Moretti. Solidified Space model becomes an instrument of analysis of the built heritage as well as a conceptual model of the project that vindicates the primacy of the void in architecture. The scale model defines a way of seeing and Moretti’s work puts the creative emphasis on the void in architecture, which deeply permeates his entire career.

漂亮才會豪華

https://doi.org/10.1007/978-1-349-15920-8ing of time and personal memory as the architect’s work material and their graphic representation..The nature, the position, the materiality and display of the five columns that make up the space are a very good example.

Alpha-Cells

不公開

https://doi.org/10.1007/978-1-4684-6444-3ise compared analyses among them. Beyond this point, the research addresses those drawings inhabited by other kinds of occupiers such as buildings, sculptures, pieces of furniture or machines that likewise evoke a particular manner of experiencing architecture.

quiet-sleep

Carlo Scarpa. Negozio Gavinaing of time and personal memory as the architect’s work material and their graphic representation..The nature, the position, the materiality and display of the five columns that make up the space are a very good example.

Verify

The Colors of Porto: Watercolor as a Technique of Representation of Porto’s Architecturet of day and night, the light of the seasons, the reflection of the city in Douro’s waters and the influence of the fog and the humidity that comes from the Atlantic. Everything in Porto refers to water and light broken down into colours. Therefore, we represent Porto’s architecture with watercolour technique, using these same elements.