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樓主: IU421
51#
發(fā)表于 2025-3-30 09:24:35 | 只看該作者
52#
發(fā)表于 2025-3-30 14:09:47 | 只看該作者
Luis Agustín-Hernández,Aurelio Vallespín Muniesa,A
53#
發(fā)表于 2025-3-30 17:23:45 | 只看該作者
https://doi.org/10.1007/978-3-642-99227-8iation from the vertical which, with the passing of time, provoked a defective situation threatening its stability..In this paper we discuss the role of drawing as a tool for geometric control and analysis. It is deemed useful for the reconstruction project of a chapel in Seville commissioned to the
54#
發(fā)表于 2025-3-30 21:57:35 | 只看該作者
55#
發(fā)表于 2025-3-31 01:29:07 | 只看該作者
56#
發(fā)表于 2025-3-31 07:08:48 | 只看該作者
https://doi.org/10.1007/978-3-322-92837-5ed above, by his excellent graphic output..This is evident throughout his singular architectural trajectory, which ranges from the School of Equestrian Art in Jerez to the building of the new headquarters of the Juan March Foundation in Madrid and goes right through his very interesting projects for
57#
發(fā)表于 2025-3-31 11:09:09 | 只看該作者
https://doi.org/10.1007/978-3-642-94846-6motions that she was lucky enough to share with the Brazilian avant-garde of the time, and makes them her own. Here she makes them reappear, as if pulled out of a magician’s hat, through her exciting architecture.
58#
發(fā)表于 2025-3-31 14:02:40 | 只看該作者
59#
發(fā)表于 2025-3-31 20:14:03 | 只看該作者
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