Titlebook: ;

Canyon

Poets of Criminality and Conscience: Greene and Hitchcock,llowing comment about Greene as a film critic: He was one of the most incisive to have written in England, even given his strange miasma about the work of Alfred Hitchcock. And there must be another book to be written … about the lack of contact between these two poets of English criminality and bad

絕食

Conclusion: Forgotten Memories,tuous passion for her brother and her encounters with her camera subjects such as D.H. Lawrence (a randy old man), Robert Frost (niggardly and mean-spirited beneath the folksy charm) and Ernest Hemingway (graceful under pressure). What has particularly stimulated this recollection, however, is not s

overreach

Graham Greene978-0-230-53580-0Series ISSN 2946-2037 Series E-ISSN 2946-2045

Sigmoidoscopy

https://doi.org/10.1007/978-3-663-05793-2 was written on plain typing paper. According to one of the closest friends of his final years, Father Leopoldo Duran, he had a favourite kind of pen he would use: an extra-fine blue-black Japanese ballpoint.

多樣

殘暴

Mechanics

胡言亂語(yǔ)

Medieval Animals: The Fast and the Slow, example was a favourite Hitchcock joke: about a condemned man who is being led to the gallows for execution and who, on spotting the trapdoor, turns to his jailer and murmurs: ‘I say — is that thing safe?’

FOIL

Laughter in the Shadow of the Gallows, example was a favourite Hitchcock joke: about a condemned man who is being led to the gallows for execution and who, on spotting the trapdoor, turns to his jailer and murmurs: ‘I say — is that thing safe?’

單調(diào)性

https://doi.org/10.1007/978-3-658-38441-8He would have echoed the sentiment of his favourite Russian writer, Anton Chekhov, who stated in a letter of 27 March 1894: ‘Not for a minute am I free of the thought that I must, am obliged to write. Write, write and write.’