Titlebook: ;

ethereal

Medieval Pilgrimage: an Outline,tuous passion for her brother and her encounters with her camera subjects such as D.H. Lawrence (a randy old man), Robert Frost (niggardly and mean-spirited beneath the folksy charm) and Ernest Hemingway (graceful under pressure). What has particularly stimulated this recollection, however, is not s

紀(jì)念

The Greene Chronology: Some Major Dates and Events,g that had been run over by a carriage and carried home lying at baby Graham’s feet in his pram. He is the son of Charles Henry Greene, later to become headmaster of Berkhamsted school (1910–27), and Marion Raymond Greene, first cousin of one of Greene’s early literary heroes, Robert Louis Stevenson

indenture

休息

Immortal

愛社交

發(fā)生

Greene on the Screen,n Graham Greene. He has been a film critic, screenwriter, screenplay adaptor, script doctor, letter-writer on matters cinematic and even film actor. Moreover virtually every fictional word he ever wrote has been adapted for either film or television, one of the few exceptions being ., which Greene t

低三下四之人

Laughter in the Shadow of the Gallows,m two examples of humour that were to serve him as a guideline. One was simply his film, . (1954), one of his most mordantly comic tales in which the cast spend most of the time trying to explain or hide Harry’s dead body. (Come to think of it, . would be a superb alternative title to ..) The second

敲竹杠

A Sort of Autobiography: Epigraphs and Dedications,ally important occasions, he always preferred the truth. The truth can be double-checked’. Truth as strategic policy as much as personal principle: what you disclose is limited to what can be checked. One feels there is a lot of Greene in that. From childhood, particularly in his having to negotiate

STALE

The Green Baize Door,off the burden of their childhood … All later experience seems to have been related to these months or years of unhappiness … Dickens learnt sympathy, Kipling cruelty … ’. One of the features of Greene’s criticism is his fascination with different accounts of childhood. It comes through in his admir