Titlebook: Gothic Dissections in Film and Literature; The Body in Parts Ian Conrich,Laura Sedgwick Book 2017 The Editor(s) (if applicable) and The Aut

離開(kāi)真充足

fiscal

Teeth,eeth in the films . (1996) and . (1998), and Edgar Allan Poe’s short story ‘Berenice’ (1835). The loss of baby teeth accompanies the move into adulthood, with teeth as currency explored in the films . (2003) and . (2010).

mediocrity

弄皺

Feet and Limbs,ntom limbs are considered with a focus on the films . (1927) and . (1993). Replacement limbs and their relationship to the human as hybrid are discussed in . (2007) and . (1992). Sentient limbs are explored in the 2010 novel ..

惹人反感

不能逃避

The Uterus,67 novel of . and its 1968 adaptation. The uterus as a protective home is explored using the film . (2007). In the French film . (1990) and the revenge horror film . (2016), the uterus holds an infant that controls a murderous mother.

Pillory

The Stomach, Intestines and the Anus,ror trilogy . (2009–2015). Excessive feeding and the gluttonous body are explored in the Australian movie . (2005). The anal passage as a grotesque site of ‘birth’ is addressed in the horror film . (2013), and Stephen King’s novel . (2001) and its 2003 film adaptation.

喃喃而言

Epilogue,ross space. Elsewhere, anatomy and technology fuse to create biomechanical marvels that extend and augment the body. This chapter reflects on the?case studies the book has presented and argues that within Gothic fiction the parts of the body are being creatively rearranged and redefined.

不真

pancreas

2634-6214 separate parts and explore each one through clear and origiThis is the first book-length study to systematically and theoretically analyse the use and representation of individual body parts in Gothic fiction. Moving between filmic and literary texts and across the body—from the brain, hair and tee