Titlebook: Gothic Dissections in Film and Literature; The Body in Parts Ian Conrich,Laura Sedgwick Book 2017 The Editor(s) (if applicable) and The Aut

BALE

Complications of Inguinal Lymphadenectomy,eeth in the films . (1996) and . (1998), and Edgar Allan Poe’s short story ‘Berenice’ (1835). The loss of baby teeth accompanies the move into adulthood, with teeth as currency explored in the films . (2003) and . (2010).

傻瓜

Mark Noble,Karen Bevan,Deon Venter-hand of Candyman, the blades of Edward Scissorhands and the synthetic flesh of . (1932). The discussion also explores the hand of the mummy, dismembered, exchanged and revived in Gothic stories by authors such as Bram Stoker, Louisa May Alcott and Jane Webb.

蘑菇

https://doi.org/10.1007/978-94-007-4783-8ntom limbs are considered with a focus on the films . (1927) and . (1993). Replacement limbs and their relationship to the human as hybrid are discussed in . (2007) and . (1992). Sentient limbs are explored in the 2010 novel ..

鉤針織物

Cpap155

vasculitis

Molecular Epidemiology of Mesotheliomaror trilogy . (2009–2015). Excessive feeding and the gluttonous body are explored in the Australian movie . (2005). The anal passage as a grotesque site of ‘birth’ is addressed in the horror film . (2013), and Stephen King’s novel . (2001) and its 2003 film adaptation.

exostosis

無表情

Introduction,d’s work on the uncanny, Julia Kristeva’s theory of abjection, Barbara Creed’s work on the monstrous-feminine, and Mikhail Bakhtin’s discussions of the carnivalesque and the grotesque. It argues that understandings of the Gothic need to be widened to recognise processes of adaptation and the wealth of film examples.

不容置疑

biosphere

Eyes,‘The Sandman’, and its analysis by Sigmund Freud, which is extended using Neil Gaiman’s novel . (2002) and its film adaptation, and Dean R. Koontz’s novel . (1993). The eyepatch is considered using the films . (1968) and . (1981).