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Titlebook: Gilles Deleuze and Film Criticism; Philosophy, Theory, Dominic Lash,Hoi Lun Law Book 2023 The Editor(s) (if applicable) and The Author(s),

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樓主: GLOAT
11#
發(fā)表于 2025-3-23 12:59:44 | 只看該作者
12#
發(fā)表于 2025-3-23 15:09:47 | 只看該作者
https://doi.org/10.1007/978-3-642-90991-7n?.—is composed of multiple, intersecting layers. Finally, Deleuze claims that spectacle in Fellini’s films is not opposed to the real or true but is instead what the real is composed of. As Deleuze puts it, in Fellini ‘The spectacle becomes universal’.
13#
發(fā)表于 2025-3-23 21:44:55 | 只看該作者
Hans-Jürgen Frank-Schmidt,Emil Heinz Grault Deleuze’s readings of . beautifully exemplify some of the philosopher’s central ideas both about film and about human agency, while also pointing towards some significant challenges that might be raised against them.
14#
發(fā)表于 2025-3-24 00:33:01 | 只看該作者
What Does Deleuze Do When He Does Film Criticism? unique cinematographic ideas invented by filmmakers. This chapter explores what the concept of the cinematographic idea, central to Deleuze’s conception of the aesthetic possibilities of film, can tell us about his practice as a film critic and, by doing so, probes what his work can teach us about film criticism.
15#
發(fā)表于 2025-3-24 05:47:52 | 只看該作者
Gilles Deleuze and the Company of Critics: On Kubrick, Time, and Cinemahey see as (in different ways) the possibilities of cinema as engaged in modes of thought and thinking. Drawing out this affinity also places Deleuze within a contemporary cluster of trans-Atlantic critics who were exploring the ways that cinema carves out and creates modes of temporality.
16#
發(fā)表于 2025-3-24 07:47:33 | 只看該作者
“Something Possible, Otherwise I Will Suffocate”: A Marginal Reading of Chapter 7, Section 2 of Deleus movements, tensions, and sparks of thought when faced with the unthinkability of belief in an age of post-traumatic nihilism. Facsimiles of the author’s coded marginalia in dialogue/conflict with Deleuze’s troubled text are the basis for analyses of films which Deleuze, it would appear, is compelled to leave in an embryonic state.
17#
發(fā)表于 2025-3-24 13:57:05 | 只看該作者
18#
發(fā)表于 2025-3-24 15:37:08 | 只看該作者
Hypnosis-Images: Indiscernibility and Hypnotic Agency in Gilles Deleuze’s t Deleuze’s readings of . beautifully exemplify some of the philosopher’s central ideas both about film and about human agency, while also pointing towards some significant challenges that might be raised against them.
19#
發(fā)表于 2025-3-24 22:47:52 | 只看該作者
20#
發(fā)表于 2025-3-25 02:16:32 | 只看該作者
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