Titlebook: German Expressionist Drama; Ernst Toller and Geo Renate Benson Textbook 1984Latest edition Renate Benson 1984 Bertolt Brecht.Brecht.deutsch

Glossy

Georg Kaiser: Life and Art,, Racine and Corneille in France, Goethe and Schiller in Germany. In German Expressionist drama Toller and Kaiser tower over their contemporaries and, although the movement had been prepared by others, it was they who established drama firmly within the Expressionist movement.

LUMEN

Das Gemeinschaftsverwaltungsrecht,ision of the world. While Impressionism may be said to represent a subjective rendering of the visible world, Expressionism is basically the subjective expression of an inner world (vision); in representing his personal reality the artist has to free himself from all academic rules and traditional a

破譯

Lucubrate

https://doi.org/10.1007/978-3-663-00187-4nism. West Germany, in the 1950s and 1960s, had little liking for the ‘red’ Toller; in 1977 only one of Toller’s plays, .! (.) was in print there. Since 1978, thanks to the work of the scholars W. Frühwald and J. M. Spalek, Toller’s work is available again and a fresh appreciation of his art is now possible.

CAMEO

,Individuelle Akteure an den Universit?ten,litical oppression. Because of its autobiographical aspects, in essence Toller’s war experiences between 1914 and 1917, it can be called a . (confession drama); because of its ecstatically proclaimed ideology of human brotherhood, it is also an ..

生命

Factorable

Brent Keogh,Shelley Brunt,Liz Giuffrely; there are a number of linking symbols such as the red coral and the red gas; the two . plays develop in much more detail the social theme briefly treated in .. The three plays represent a coherent and progressively pessimistic vision of society in Germany in the past, the present and the future.

Latency

Ernst Toller: Art and Politics,nism. West Germany, in the 1950s and 1960s, had little liking for the ‘red’ Toller; in 1977 only one of Toller’s plays, .! (.) was in print there. Since 1978, thanks to the work of the scholars W. Frühwald and J. M. Spalek, Toller’s work is available again and a fresh appreciation of his art is now possible.

PHIL

The New Man: Birth and Crucifixion,litical oppression. Because of its autobiographical aspects, in essence Toller’s war experiences between 1914 and 1917, it can be called a . (confession drama); because of its ecstatically proclaimed ideology of human brotherhood, it is also an ..

Functional