Titlebook: German Expressionist Drama; Ernst Toller and Geo Renate Benson Textbook 1984Latest edition Renate Benson 1984 Bertolt Brecht.Brecht.deutsch

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書目名稱German Expressionist Drama影響因子(影響力)




書目名稱German Expressionist Drama影響因子(影響力)學(xué)科排名




書目名稱German Expressionist Drama網(wǎng)絡(luò)公開度




書目名稱German Expressionist Drama網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱German Expressionist Drama被引頻次




書目名稱German Expressionist Drama被引頻次學(xué)科排名




書目名稱German Expressionist Drama年度引用




書目名稱German Expressionist Drama年度引用學(xué)科排名




書目名稱German Expressionist Drama讀者反饋




書目名稱German Expressionist Drama讀者反饋學(xué)科排名

極力證明

不愿

并置

Gert-Joachim Glae?ner,Astrid Lorenzember 1921 he wrote to his friend Ernst Niekisch: The drafts of my latest drama … have given me a feeling of vocation: I believe that I can plough the field on which one day proletarian art will grow…. My Hinkemanns have the following annotation: Proletarian art, too, leads to humanity, it is all-em

animated

Das Politikfeld Innere Sicherheit,, Racine and Corneille in France, Goethe and Schiller in Germany. In German Expressionist drama Toller and Kaiser tower over their contemporaries and, although the movement had been prepared by others, it was they who established drama firmly within the Expressionist movement.

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兵團(tuán)

https://doi.org/10.1007/978-1-349-17363-1Bertolt Brecht; Brecht; deutsches Theater; drama; Europe; Franz Kafka; Germany; Goethe; Henrik Ibsen; Italy; J

極為憤怒

Euroscepticism and the Future of EuropeIn 1926 when Kaiser was asked by the newspaper . about the genesis of his plays he answered that he felt compelled to ‘write about people whom fate had treated unfairly’, and that there was hardly a day when he did not encounter a situation which inspired him to write a new play:

debouch

CAMEO

Das Politikfeld Innere Sicherheit,, Racine and Corneille in France, Goethe and Schiller in Germany. In German Expressionist drama Toller and Kaiser tower over their contemporaries and, although the movement had been prepared by others, it was they who established drama firmly within the Expressionist movement.