Titlebook: George Alexander and the Work of the Actor-Manager; Lucie Sutherland Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Oscar

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GRATE

Book 2020e Actor Manager.?examines the key part this figure played in presenting new drama by authors including Oscar Wilde and Henry James. The book sheds new light on the figure of the actor-manager, assessing in detail the influence of Alexander within and beyond his time..At the St. James’s Theatre in Lo

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CHOIR

https://doi.org/10.1007/978-3-663-19712-6terature for the stage. Examining two examples, . (1896) and . (1902), here Sutherland assesses the role of adaptation in sustaining West End managements. This kind of production was one precursor to the network of sectors including theatre, publishing and fashion, that are now considered interrelated parts of the creative and cultural industries.

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AMOR

Marilyn B. Renfree,Geoffrey Shawpany are evaluated, to consider how professional development occurred within the actor-manager system. The chapter concludes with an assessment of the work undertaken by Irene Vanbrugh at the St. James’s Theatre, as the most frequent leading actress in the company.

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Development of the Ectoderm: Neurulation,on of . is examined to show that while playwrights and managers were extremely influential and seemed to control West End theatre, their success was contingent upon many collaborative relationships; here most particularly with actress Irene Vanbrugh.

GULF

https://doi.org/10.1007/978-3-7091-8222-2e industry leaders, the potential to appropriate and utilise facets of the actor-manager system to establish and sustain presence in professional theatre is being recognised by a diverse range of industry professionals.