Titlebook: Gender, Metal and the Media; Women Fans and the G Rosemary Lucy Hill Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Emo.fan

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Book 2016ical pleasure is much more sophisticated than simplistic enjoyments of aggression, violence and virtuosity. Listening to women’s experiences, she maintains, enables new thinking about hard rock and metal music, and about what it is like to be a women fan in a sexist environment.?.

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Interferenzschichten-Mikroskopiet must be negotiated impact on fans’ ability to express their fandom and their sexuality. The problem of the groupie myth lies not just with the expectations it places upon women but also in the ways in which it prevents discussion of more sensual and embodied experiences of musical pleasure.

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Women Fans and the Myth of the Groupie,t must be negotiated impact on fans’ ability to express their fandom and their sexuality. The problem of the groupie myth lies not just with the expectations it places upon women but also in the ways in which it prevents discussion of more sensual and embodied experiences of musical pleasure.

Urologist

The Gendered Experience of Music,aintains that it is vital to acknowledge how these circumstances make for differing experiences: it is an important first step for countering sexism. The chapter concludes with a short plan for how hard rock and metal may imagine a genderless future, and how this imagined community might work towards it.