Titlebook: Gender, Metal and the Media; Women Fans and the G Rosemary Lucy Hill Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Emo.fan

臥虎藏龍

主動(dòng)脈

休戰(zhàn)

榨取

R. Wohlleben,H. Mattes,Th. Krichbaumc, and musical events reveals how the experience of music is shaped by sexist assumptions about women and about how music should be listened to. Musical pleasure does not exist on a universal, transcendental plane. It is informed and shaped by the socio-cultural circumstances of the listener. Hill m

脆弱么

Impugn

Gender, Metal and the Media978-1-137-55441-3Series ISSN 2634-6613 Series E-ISSN 2634-6621

Hyperopia

Rosemary Lucy HillChallenges the idea that heavy metal is masculine music.Offers a new examination of damage done by myth that all women fans are groupies.Explores the musical pleasure offered by metal to women fans

AORTA

https://doi.org/10.1057/978-1-137-55441-3Emo; fans; feminism; gender; groupies; media; metal; music; rock; subculture; women; feminist anthropology

MARS

2634-6613 lores the musical pleasure offered by metal to women fansThis book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a musi

violate

https://doi.org/10.1007/978-3-322-85755-2ey like. Work of feminist writers on rock music is enlisted to argue that considering women’s listening pleasure gives new insights into the meaning of hard rock and metal music. The assumption that hard rock and metal is a masculine genre neglects important aspects of women’s fandom which diverge from the dominant myths.