Titlebook: Gender, Cinema, Streaming Platforms; Shifting Frames in N Runa Chakraborty Paunksnis,?arūnas Paunksnis Book 2023 The Editor(s) (if applicab

內(nèi)閣

https://doi.org/10.1007/978-1-4302-5864-3pecifically interrogates the image of Indian woman as independent, empowered subject—a portrayal that not only belies the reality of Indian women but also forecloses the future of feminist activism. While cinematic representations of gender in India have?largely followed a traditional Brahmanical pa

Gossamer

https://doi.org/10.1007/978-1-4302-6491-0ferent filmmakers under one banner, wherein the plots may actually have a common theme like social issues, horror genre, or in recent times pandemic and isolation itself becoming a common ground. . is an anthology film, released by Netflix in India and abroad on June 15, 2018, and is committed to a

發(fā)現(xiàn)

https://doi.org/10.1007/978-1-4842-4903-1ne as a protagonist in Bollywood or “mainstream” Hindi narratology post-2010 is a distinct extrapolation of a country’s changing sociocultural, economic, and political inflections. The “female led” cine-narratives while redefining gender roles and responsibilities question and explore desire in a pa

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