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Titlebook: Gender, Cinema, Streaming Platforms; Shifting Frames in N Runa Chakraborty Paunksnis,?arūnas Paunksnis Book 2023 The Editor(s) (if applicab

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發(fā)表于 2025-3-25 06:37:10 | 只看該作者
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發(fā)表于 2025-3-25 07:57:18 | 只看該作者
CT Densitometry in Osteoporosision of its authors with the implicit desire to articulate the experience of selfhood and embodiment as multiple and fragmented. The chapter takes a long detour to establish a connect between these articulations and the foundational essay by Carol Hanisch, ..
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發(fā)表于 2025-3-25 13:59:57 | 只看該作者
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發(fā)表于 2025-3-26 02:52:28 | 只看該作者
Book 2023ok will identify how the so-called feminist enunciations in twenty-first century film and SVOD content in? India are marked by an ambiguous entanglement of feminist and postfeminist rhetoric. Set against the backdrop of two significant contemporary phenomena, namely neoliberalism and the digital rev
27#
發(fā)表于 2025-3-26 04:26:23 | 只看該作者
Introduction,rs argue that although gender has been a “central issue” since the colonial times, its visibility in the discourse of India’s popular culture increased manifold after the economic liberalization in the 1990s. By providing an overview of historical debates on gender in Indian context, the introductio
28#
發(fā)表于 2025-3-26 11:50:54 | 只看該作者
Biopolitics of Hindutva: Masculinity and Violence in , and as been replete with representations that are in line with the dominant, hegemonic power structures in India, especially after 2014. Indeed, we can clearly see the increased saffronization of political and cultural landscapes, and SVOD space is a digital frontier and a new ideological battlefield. D
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發(fā)表于 2025-3-26 13:00:06 | 只看該作者
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