Titlebook: Gender, Cinema, Streaming Platforms; Shifting Frames in N Runa Chakraborty Paunksnis,?arūnas Paunksnis Book 2023 The Editor(s) (if applicab

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Background Images and Image Replacement,bsequent biopolitical management as well as cultural re-fashioning of India. The chapter specifically emphasizes a gendered aspect of such anxiety which strongly stands out. The main object of the chapter not only is the biopolitics of Hindutva, which is the main ideological force behind the violenc

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https://doi.org/10.1007/978-1-4302-4336-6erefore negating women’s health in the familial budget. In spite of their best effort, the ironic novelty of representation in the films is progressive, but it lacks any real subversion for it is still nascent and tokenistic. Agency is solely derived from a capitalistic patriarchal focus rendered wi

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Joel H. Bortz MBChB, DMRD, FRCR, FFRRCS of the Indian woman protects her from sexual violence, the liberal camp claimed that emancipation of women and breaking-away from patriarchal dogmas would improve their status and contribute to their safety. Despite ideological differences, both parties analysed the circumstances of the rape in sim

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Book 2023t such concomitant process of the contraries can invoke, the book invites myriad responsesfrom the authors who view the shifting gender representations in postmillennial Hindi cinema and SVOD platforms from their specific ideological standpoints. The book includes a wide array of genres, from commer