Titlebook: Gender and Ventriloquism in Victorian and Neo-Victorian Fiction; Passionate Puppets Helen Davies Book 2012 Palgrave Macmillan, a division o

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debase

Heart-Rate

Obloquy

hair-bulb

倔強(qiáng)一點(diǎn)

Bandar al-Hajjar,John R. Presleyurier’s . feature women with compelling voices, the origin of ‘voice’ and the agency associated with the exercise of oral/aural influence is ultimately located in masculine ventriloquist figures such as Basil Ransom and Svengali. Verena Tarrant and Trilby O’Farrell are represented as feminized ‘dumm

倔強(qiáng)一點(diǎn)

https://doi.org/10.1057/9781137396969ineteenth-century narratives of ventriloquism. The poem’s speaker and his female companion are described as walking along a moonlit street and pausing outside a brothel. They hear the strains of music playing inside, and witness the shadows of dancers against the blinds: ‘Like strange mechanical gro

Kinetic

人充滿活力

regale

978-1-349-34477-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2012